Youngstown State University
 
 
Youngstown State University

Practice Systems for Mitchell Peters

Intermediate Snare Drum Studies

 

This excellent book, published in 1976 by the former principal percussionist of the Los Angeles Philharmonic, includes rhythmic studies remarkably similar to much symphony orchestra and wind band snare drum literature. Peter's etudes are ideal for addressing sound production, dynamic control, reading ability, and tempo flexibility. Practice each etude with the routines suggested below. Initially, use a metronome, keeping records of all tempi mastered. Later, audio/video record the etudes, without metronome, to check accuracy of dynamics, tempo, and sound quality.

PART I–Technical Studies, Etudes I-XI. (Roman numerals) Play each practice routine twice - first forte, then piano. It is crucial that you spend considerable time practicing softly as soft dynamics are generally less familiar and more difficult. Effortless mastery will result from familiarity and reasonable tempi.

I. Quarters, Eighths, Sixteenths.

      These first three systems can be done several ways to accomplish different goals.
      i. Open-close technique.
     ii. Traditional wrist only strokes.
    iii. Arm only–for loud, forceful playing.

  1. Right hand only. Quarter note = 112
  2. Left hand only. Quarter note = 112
  3. Unison hands. Quarter note = 112
  4. Alternate sticking. Quarter note = 188 Feel two macrobeats per measure at faster tempi. Double stroke all sixteenth note pairs, otherwise alternate. Quarter note = 216 Feel two macrobeats per measure at faster tempi.
  5. Triple bounce all sixteenth notes, alternate. Use arm motions on all printed notes. Quarter note = 60-130. Use slower tempi for softer playing.
  6. Double bounce all sixteenth note pairs, alternate. Play at mp-p.
  7. Multiple bounce all sixteenth notes, alternate. Play a pp-p.
  8. Apply flams to all quarter and eighth notes, alternate. Quarter note = 148
  9. Apply drags to all quarter and eighth notes, alternate. Quarter note = 90

II. Sixteenth note triplets.

  1. Right hand only. Quarter note = 72
  2. Left hand only. Quarter note = 72
  3. Alternate. Quarter note = 144
  4. Triple stroke all sixteenth note triplets. Quarter note = 100
  5. Triple bounce all 16th notes. Slower tempi for soft playing.
  6. Apply double bounce to each sixteenth note. Play at mp-p.
  7. Multiple bounce each sixteenth note. Play at pp-p.

 

III. 12/8 Measure Signature

  1. Alternate. Dotted quarter note = 132
  2. Double stroke all sixteenth note pairs, otherwise alternate. Dotted quarter note = 132
  3. Double bounce all sixteenth note pairs, otherwise alternate. Play mp-p.
  4. Triple bounce all sixteenth notes, otherwise alternate

 

IV. Accents Use one playing area throughout. Accents played one dynamic level louder.

  1. Right hand only. Quarter note = 90
  2. Left hand only. Quarter note = 90
  3. Alternate. Quarter note = 160
  4. Apply flams to each accent. Quarter note = 116

 

V. Three Camps - Memorize formal structure before practicing - A4, A4, B4, B4, C2, C2, B4, B’4.

  1. Dotted quarter = 170. Practice R and L lead.
  2. Double bounce all sixteenth note pairs, otherwise alternate. Play mp-p.

 

VI. Three Camps - Quarter note = 126 Practice R and L lead.

VII. Three Camps - Quarter note = 100

VIII. Three Camps - Dotted Quarter note = 80

IX. Rolls in 2/4 Release untied rolls on the “an” of beat with a soft tap.
1. Triple bounce rolls A. Four arm strokes per quarter note. Alternate. Quarter = 140 B. Six arm strokes per quarter note. Alternate. Quarter note = 80 C. Eight arm strokes per quarter note. Alternate. Quarter note = 60
2. Double stroke rolls A. Four arm strokes per beat - eight notes. Quarter = 140 B. Six arm strokes per beat - twelve notes. Quarter = 96 C. Eight arm strokes per beat - sixteen notes. Quarter = 72
3. Double bounce rolls. Play at mp-p. A. Four arm strokes per quarter note. Alternate. Fast tempo. B. Six arm strokes per quarter note. Alternate. Moderate tempo. C. Eight arm strokes per quarter note. Slow tempo.
4. Multiple bounce rolls. Play at pp-p. A. Four arm strokes per quarter note. B. Six arm strokes per quarter note. C. Eight arm strokes per quarter note.

X. Rolls in 12/8 1 Triple bounce rolls. A. Two arm strokes per eighth note. Alternate. Dotted quarter = 80 B. Three arm strokes per eighth note. Alternate. Dotted quarter = 60 2. Double stroke rolls. A. Two arm strokes per eighth note. Dotted quarter = 90 B. Three arm strokes per eighth note. Dotted quarter = 60 3. Double bounce rolls. Play at mp-p. A. Two arm strokes per eighth note. B. Three arm strokes per eighth note. 4. Multiple bounce rolls. Play at pp-p. A. Two arm strokes per eighth note. B. Three arm strokes per eighth note. XI. Flams & Drags 1. Alternate. Quarter note = 90 2. Interpret each flam as a drag. Quarter note = 68

PART II–Etudes (Arabic numbers). Play dynamics as indicated. Practice tempi beyond Peters'.

1. Alternate. Quarter note = 180
     A. First learn entirely in one beating spot.
     B. Later move beating spot to increase dynamic contrast.
2. Alternate. Dotted quarter = 122
3. Alternate. Dotted quarter = 112
4. Alternate. Quarter note = 140
5. Alternate. Quarter note = 140
6. Alternate. Dotted quarter = 84
7. Alternate. Quarter note = 180
8. Alternate. Quarter note = 120
9. Alternate. Dotted quarter = 90
10. Alternate. Eighth note = 250
11. Alternate. Quarter = 125, Eighth note = 250
19. March tempo. Right lead. Double stroke rolls.
20. March tempo. Double stroke rolls. Flam taps.
23. Accuracy of subdivision. Eighth note = 140
28. Meter changes. Quarter note= 130
29. Meter changes. Quarter note= 120

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