Youngstown State University Percussion Ensemble & Youngstown Percussion Collective
Dr. Glenn Schaft – director, Edward Davis – assistant director
Ohio Music Education Association Professional Conference, Columbus Convention Center, Columbus, OH Room CC 120
About the Director
GLENN SCHAFT is Professor and Director of Percussion Studies at Youngstown State University. He is the advisor/co-founder of the Youngstown Percussion Collective and an artist with Avedis Zildjian Co., Innovative Percussion Inc., Remo Inc., and a member of the Black Swamp Percussion Educators Network. Glenn earned the DMA from the University of Illinois at Urbana-Champaign, the MA from Eastern Illinois University, and the BM from Baldwin Wallace University. He pursued post doctoral studies in contemporary music and orchestral percussion at Cleveland State University, Afro-Cuban music in Havana, Cuba and world percussion at the Berklee School of Music World Percussion Festival. Glenn’s teachers include John Hollenbeck, John Riley, Tom Freer, Jay Burnham, Lewis Nash, Ted Piltzecker, Tom Siwe, Johnny Lee Lane, George Kiteley, Harold Damas, Linda Pimentel, and Ruben Alvarez. A member of the Percussive Arts Society, Glenn serves on the Drumset Committee and has appeared as performer, lecturer, and panelist at PAS international conventions.
Glenn’s career spans idioms such as classical, new music, world music, jazz, blues, rock, reggae, funk, Brazilian, West African, and Afro-Cuban. Glenn has recorded and served as executive producer with the Youngstown Percussion Collective, Dave Morgan, Ron Coulter, John Hollenbeck, Cleveland Chamber Symphony, Scott Wyatt, Amanda Powell, Air Force Band of Mid-America, Youngstown State University Wind Ensemble, and myriad jingles.
His credits include conductors Giora Bernstein, Jeffery Siegel, Anton Coppola, Edwin London, Gunther Schuller, Paul Martin Zonn, Peter Schickele, aka P.D.Q. Bach ensembles such as Colorado Music Festival, Skaneateles (NY) Chamber Music Festival, "Artist In Residence" at Baldwin-Wallace University with BATTU contemporary/world percussion group, Cleveland Chamber Symphony, Cleveland Ballet, Ohio Chamber Orchestra, Cleveland Opera, Robert Page Singers, Akron Symphony, Richmond Symphony, Springfield (IL) Symphony, Youngstown Symphony, Duluth-Superior Symphony, Champaign-Urbana Symphony, Lake Superior Chamber Orchestra, Dance Theater of Harlem, Cleveland Dance Collective, and artists such as Paul Sperry, Julie Newell, Robert Weirich, Robert Van Sice, Peter Erskine, and Ben Toth.
Glenn drumset and world music credits include Ruben Alvarez, American Jazz Orchestra, Chuck Berry, Nick Brignola, Freddie Bryant, Ndugu Chancellor, Sarah Jane Cion, Stewart Copeland, Anthony Cox, 1940's Radio Hour Show-US Tour, Todd Coolman, Harold Danko, Paquito D’Rivera, Larry Elgart, Raul Esparza, John Fedchock, Five By Design, Reynaldo Gonzales, Taku Hirano, Laurence Hobgood, Engelbert Humperdink, Randy Johnston, Sean Jones, Mike Kocour, Alison Krauss, Victor Krauss, Ralph Lalama, Tony Leonardi, Robert Lockwood Jr., Bryan Lynch, Jim McNeely, Hank Marr, Phil Palombi, Ken Peplowski, Chita Rivera, Trichy Sankaran, Michael Spiro, Marvin Stamm, Chip Stephens, The Texas Tenors, Alan Vizzutti, Dan Wall, James Weidman, Michael Weiss, Mike Wofford, Women of the Phantom, Andrea Zonn, and Youngstown State University Faculty Jazz Group.
Dr. David Morgan
Forms Of Things Unknown (2011)
1. Airy Nothing
2. Do I Dare Eat A Peach?
3. Desiring
4. Ritual
5. Better Angels
6. The Flow
7. Bindu To Ogis
8. Kundalini
9. Unknown Unknowns
10. Entrainment
11. Amulet
12. The Only Dance
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes, and gives to airy nothing
A local habitation and a name.
Shakespeare, A Midsummer Night’s Dream, Act 5, Scene 1
Forms of Things Unknown is a concert-length piece for fifteen percussionists. The piece is in a circular form that reflects the cycles of time and the earth and each movement flows into the next via textual interludes. “The percussion writing reflects my contemplation of the artistic possibilities inherent within various dichotomies, including pitched and “non-pitched” percussion, strict notation and improvisation, metal and wood, sticks and hands, harmony/melody and rhythm, loud and soft, tradition and innovation, cerebral and visceral, and space and time.”
A wide variety of music and artists are reflected and referenced in the piece, including ritual music of Northern Brazil, the Congo, and Egypt; global percussionists including Glen Velez and Nana Vasconcelos; jazz vibraphone artists such as Dave Samuels, David Friedman, Gary Burton, and Mike Manieri; the Minimalism of Terry Riley and Steve Reich; and seminal percussion works by Western composers including Iannis Xenakis, John Cage, and Toru Takemitsu.
The piece was commissioned by the Youngstown Percussion Collective, a YSU student organization. YPC past-president, Bob Young said “This project has challenged our musical minds as well as brought the members closer together in search of a common goal.” YPC member Jeff Farber concurs, “I see it opening our world-view (because of the many different cultures the music draws from) and opening our imaginations on how to use sound, motion, and theatrics to create a truly captivating performance.”
Dr. Glenn Schaft says “This project provides our students the rare opportunity to participated in an entire artistic creation project from its very conception, through planning, fundraising, performance, recording a compact disc, mixing and mastering the recording, and distributing the music worldwide, all the while working on a daily basis in meetings and rehearsals with a world-class composer in David Morgan, who is a colleague at the Dana School of Music. Our students are fortunate to have the opportunity to present a great piece of music to the world and this experience will enrich their lives for years to come.”
Morgan agrees, saying “the best thing about this project from my perspective is the opportunity to work closely with Glenn and the percussion students throughout the process of taking a project from its initial conception to performance.”
Notes by D. Morgan and G. Schaft
About Dave Morgan
Dave Morgan is a jazz bassist and composer who has performed with a wide variety of artists, including Dizzy Gillespie, Joe Lovano, Arturo Sandoval, Cedar Walton,
James Moody, Benny Golson, Larry Coryell, Mose Allison, Jim McNeely, Bob Brookmeyer, and The Cleveland Orchestra. His latest recording “The Way of the Sly
Man” is inspired by the ideas of the Greek-Armenian mystic G.I. Gurdjieff. The recording, featuring Jamey Haddad, Dan Wall, Jack Schantz, Howie Smith, and many
other fine musicians, was made possible by grants from Chamber Music America, the Doris Duke Charitable Trust, and the Bascom-Little Fund. Morgan also composed the music for CD The Surprise of Being—Live at Birdland by the Cleveland Jazz Orchestra featuring Joe Lovano. A concert by the Tri-C JazzFest by the Jazz Unit featuring Ernie Watts of Morgan’s transcriptions and arrangements of the music of Frank Zappa earned an Award of Achievement from Northern Ohio Live. The American Wind Symphony Orchestra has commissioned several original compositions and arrangements, including “The Art of Seven” (2008). The
Polish Philharmonic Orchestra recently recorded “Reflections and Meditations,” which will be released on Centaur Records in Fall 2012. His compositions “Romance
for Flute and Strings” and “Three Vignettes” for Alto Saxophone and Orchestra are also available on Centaur Records. More information is available on his website,
davemorgan.com. Morgan is Associate Professor of Jazz Studies and Double Bass at Youngstown State University.
About Glenn Schaft
Dr. Glenn Schaft is Associate Professor and Director of Percussion Studies at Youngstown State University where he has served since 1996. He directs the YSU Percussion Ensemble, teaches private and group lessons, performs with the Faculty Jazz Group, serves as faculty advisor for the Youngstown Percussion Collective, and is founder of the SMARTS RHYTHMS Drum Circle Educational Outreach Program. His performance and teaching credits include over thirty-three years of experience in classical, contemporary, world, jazz/improvised, and popular music. He is an educational artist endorser with Zildjian, ProMark, Remo, and Black Swamp Percussion. He has performed and presented clinics throughout the United States and China. He is a member of the Percussive Arts Society where he serves on the College Pedagogy and Drumset Educators Committee's.
Please contact geschaft@ysu.edu or visit www.ysu.edu/percussion
About YSU Percussion Studies Program includes fifteen majors enrolled in various undergraduate and graduate degree programs. Part of a thriving urban research university, our mission is to foster a community of musicians/scholars that respect cultural and musical versatility and to facilitate a foundation of life-long self-directed learning, musicianship skills, instrumental technique, repertoire, and technological literacy in performance and pedagogy. The success of our myriad alumni is a testament to this mission.
Our curriculum includes private and small group lessons, studio class, Percussion Ensemble, and myriad guest artists. Students may choose a total percussion experience or individualize their curricula via specialization in orchestral percussion, drum set, jazz vibraphone, keyboard percussion, multiple percussion, contemporary chamber music, world percussion, and composition. Additional professional opportunities are available in the Youngstown Percussion Collective K-12 School Outreach Program Touring Ensemble, the SMARTS Drum Circle Facilitation Program, and as an accompanist in the YSU Dance Department.
Another dimension of our program is the Youngstown Percussion Collective. YPC is a university sponsored non-profit student organization whose mission is to advance the percussive arts through performance, composition, commissions, educational outreach, research, and fundraising. YPC also offers a multi-cultural educational outreach program entitled "Rhythm Is Our Business" which is available for K-12 school assemblies and tours throughout Ohio and Western Pennsylvania. Our objective is to inspire young audiences and help them understand the experience of rhythm as movement, music as a communal activity, and the beauty, simplicity, and appeal of percussion instruments from around the world. We offer K-8 and high school programs; each includes performance, audience participation, discussion of the instruments, and question/answer opportunities. These may be tailored to the entire student body or exclusively music students.
Glenn and the YSU Percussion Studio are proud to be sponsored by Zildjian, Remo, ProMark, Black Swamp, and Dynasty.
The YSU Percussion Ensemble is one of the premiere chamber ensembles at the Dana School of Music. Recent accomplishments include the critically acclaimed release of the compact disc Dark Wood and the commissioning, New York City world premiere performance and subsequent recording of John Hollenbeck’s Ziggurat released on the disc Rainbow Jimmies available at <www.cdbaby.com>
Credits and thanks:
- Dr. Michael Crist (chair) and Dr. Bryan DePoy (dean) for your support on behalf of the Dana School of Music and the College of Fine and Performing Arts throughout this project.
- Dr. Stephen Gage (director of bands) for your support.
- Lori Factor, Anna Ruscutti, Michele Lepore-Hagen for your assistance with the programs.
- Dr. J. Paul Louth (music education) and the YSU-OCMEA students for you assistance with our programs and the Dana exhibit.
- Thanks to OMEA, especially Gary DeVault, Jared Plasterer, and Roger Hall for you support.
- Our percussion corporate sponsors - Zildjian, Remo, ProMark, Black Swamp, and Dynasty.
- Thanks to my students for all your dedication and hard work.
- We are all grateful to Dave Morgan for the great music!
